A couple of weeks ago I played a show to 7 people...yep, 7 people. Let me rewind a little. I have a tour series called “The Just Bust Tour." What we do is book shows all over with local, regional, and national talent. The purpose is to get independent music in front of crowds that would love it, and present it to them in the right way, as a show with great performances, DJ’s spinning, and dancers (coming soon).
On most occasions, I book 3 shows, then come home and insert myself back into husbandry, fatherhood, and mindless employment. This time, however, there was a little hiccup in the plans. One show fell through, and the other was cancelled. With three weeks to go, that left just the final show, which was 9 hours away. Driving that far for one show was possible, but tough. Very tough. So what would be the logical thing to do?
Right off the bat, one would think to try to reschedule the show; however, with not much time left, it would be pretty hard for the venue and promoter to find another act to book in time. This could have several negative consequences. The most critical of which being that we wouldn’t get a show through that promoter or venue in that city again.
Also, I’d already spent money on flyers and posters. Besides, we’ve played this particular place on more than one occasion, and averaged between 70 to 100 people a show. So there was no reason to think it would be different; however, it was. By the time of the show, which was around midnight, there were 7 paying people who'd come through the door.
Now, I could’ve pulled the “ungrateful artist” role that many indies tend to use as their default and argue with the promoters and ask them now useless questions like:
I chose not to, though. Instead, I stayed smiling and professional, conducting myself the same as if the spot was packed to capacity. Went on stage, rocked our set, and thanked everyone for coming to see us. The promoters came to apologize for the turn out. I told them, “It’s cool, you win some and lose some. We’ll both make sure that it’s a better a show next time." The owner of the spot then came up to me, and said, “I don’t know why the crowd was so thin tonight. I’m sorry. You guys were awesome as usual." Then he gave me money from the bar’s cash register to help cover our expenses, even though we were supposed to have just gotten a cut of the door. That covered our gas up to the show and back home. If I would have acted an ass, I would've walked away with a loss.
The moral of the story is that the professional artist always trumps the asinine artist in the long term.
Quanstar is an American underground hip hop artist, indie filmmaker, comic creator, and self published author from Atlanta.